So here is the SSL Channel Strip. This website uses cookies to improve your experience while you navigate through the website. Try out maybe around 100 microseconds, as your very, very fast time. That’s the fast time on the SSL. The original hardware that inspired the CLA-76 is known for its superfast attack time of 50 microseconds, capable of dealing with the fastest transient material. Get 65% Off Mix Essentials. When the knob is pulled up for the fastest attack, this is going to be extra fast. It’s 0.1 milliseconds, or 100 microseconds. If you are interested to find out the relationships between the input and output levels based on a given threshold and compression ratio, download this Excel sheet. If you put some safety factor of 2 in the above attack and release times. If you work in another digital audio workstation, it’s likely the case that you have a similar compressor that came with your software. So on the Neve here, it’s a little bit different. So it’s really smoothing off that transient. A fast attack time is typically between 20 and 800us (microseconds) and slower times are in between 10 to 100 milliseconds. The slow time here, or the fast attack turned off, this is going to be program dependent, but it’s been measured to be on the order of about 20-40 milliseconds, so let’s just say it’s about 30 milliseconds. Discover how to make your kick and bass hit hard by cutting (NOT boosting) the right frequencies! This one requires experimentation. You can have up to 50ms x 2= 100ms for bass. So it’s also good, even if you don’t have this plug-in to know these attack times so we can think about using them and incorporating them in our stock plug-in. We’ve got lots of different parameters that we can work with to change the sound of the compressor. Even if you don’t have this plug-in, I think it’s helpful to look at this approach. C: Typical attack and release times for high frequencies > 8000Hz. When the sound drops back below the threshold, the compressor does not instantly stop compressing the sound. Some compressors express this as slopes in dB per second rather than in time. So let’s look at another plug-in here. In mastering using multiband compressor, the same concept applies: Attack times: 100ms Release time: 300ms. … You’ll need a slower attack time and a fairly quick release. I’ve got a video for you about setting the attack time on your compressor, and here’s the main lesson: Don’t make this process too complicated. The ability to adjust Attack and Release controls independently significantly increases the range of balance problems than can usefully be tackled, so let's look at another common example: a snare‑drum backbeat. You can use it on almost anything. There was an error submitting your subscription. That’s plenty of different sounds that you can get out of your compressor. Start with a ratio between 2:1 and 4:1. Recommendations: In multiband compressor you can tweak the attack and release times for low/bass frequency band starting from 2.5ms up to 50ms. Now, what do I mean by this? This is a model of the console from Waves. So I think that’s a different and better approach to take. This one requires experimentation. I'd set the ratio to basically limiting and attack time at stupid faster than fast. In addition, the natural release time should also be less than 8ms to bring back to the normal level once the wave does not need compression. It’s 0.1 milliseconds, or 100 microseconds. So let’s come back and look at this stock plug-in. Vocals are highly transient and requires fast attack and release times. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. This requires very fast attack and release times. Now start dialing the attack back (slower) until you hear more of … So that’s going to very much simplify your choices that you can make here and really what it boils down to is do you want to compress the transient or do you want the transient to go through? 2ms on one compressor might sound slower than 8ms on another compressor because of how they react.