And here’s a 5th-string root fingering for the C minor blues scale that can be applied to all 12 bars of a minor jazz blues progression in C. The first mode that you will explore in this lesson outside of the minor blues scale is the melodic minor scale. It tends to be the other way around when you’re talking about a minor blues sequence. Jazz blues is a great way to get emersed into the language of jazz and start developing your jazz skills. Minor Blues Progression 3 In the following example, we will insert our first secondary dominant chords. Start by learning the 6th string shape for each scale in this lesson, one at a time, with a metronome and at a wide range of tempos. It’s important for every jazz musician to know a good handful of blues heads, and even variations on the typical 12 bar form. There are plenty of great blues heads out there. In my free jazz blues masterclass I talk about using blues heads as a tool for learning jazz blues language. Let’s have a go. Israel 4. In fact, with “Moanin’”, in a sense, the tune is in F major 7 or F7, and the jazz, the chord sequence, is in F minor 7. I talk about this in more detail in this video. Start to insert the other scales in this lesson one at a time. Equinox I am not sure if any of those outside the jazz box would be pedagogically worth while. Be sure to sign up for my free masterclass “Boost Your Jazz Blues” and I’ll help you take your improv abilities over these tunes to the next level. If this scale is new to you, or you just need a refresher, here is a 6th-string root position for the C minor blues scale that you can learn and bring into your soloing lines in your playing. Before moving on to learning a set of scales that you can use to solo over the minor blues progression, let’s take a look at the guitar chords that you will be soloing over with these particular scales. Dies ist eine Übersicht über die wichtigsten Jazz-Standards, die man möglichst auswendig können sollte. There have to be some more Minor Blues Jazz Standards out there than just the six listed here: 1. He's also the host of the music entrepreneurship podcast "Passive Income Musician.". Do you want to learn more about the minor blues? I’ll certainly check out some of your suggestions. Today is Strategy #1: Minor Pentatonics and “Blues Scales.” Listen to episode 239 October […] If you’d listen to the play along, you’ll hear that the bass player is playing long Gs in that 10th bar, so it is that way around. Introduction to Jazz Blues Guitar Volume 2. In case you missed it, please check out our minor blues chord progressions lesson, as it will help you understand the construction of 11 different variations of the minor jazz blues chord progression. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual Improvisation for Jazz Guitar." To help you bring these scales into a musical situation, here is a sample one-chorus minor blues solo that uses all of the various scales discussed in this lesson. The blues has always played a central role in jazz music from the very beginning and is without a doubt one of the most important forms in jazz. Are you abe to help with this? That is to say, in bar nine it’s F minor 7 and in bar 10 it’s G7, and the reason will become clearer when we discuss a standard blues sequence. It’s important for every jazz musician to know a good handful of blues heads, and even variations on the typical 12 bar form. Here is a C melodic minor scale from the 6th string that you can use to begin your studies of this important melodic device. Are there any there you would recommend for solo jazz guitar by the way? Below are the basic changes to a C minor blues progression, without any substitutions or alterations to the standard form. In fact, I often suggest to jazz beginners to learn a blues first. Notice the major 7th interval in this scale, which gives the mode its characteristic sound and creates a bit of tension when applied to a m7 chord in your solos. Blues is sometimes written in minor keys (John Coltrane �s � Equinox,� Oliver Nelson �s � Stolen Moments �). Start by playing C blues and C melodic minor, then C blues and F Dorian, then C blues and D Locrian, and finally C blues and G Phrygian dominant. There is nothing in my promotions or trash or spam. He is the head blogger and podcast host for learnjazzstandards.com which he owns and operates.